Analysis of the Man with the Camera Directed by Dziga Vertov.

 Analysis of the Man with the Camera Directed by Dziga Vertov. Documentary cinema basically depicts the western consciousness to view the world more clearly while getting an objective view (Feldman, 1998). Documentary movies are regarded as integral and notable branches of the film industry because they present the indispensable historical moments with a unique blend of script, visual images, and sound effects. The present-day documentary cinema has gone through a long excursion to reach its present status and there are some transformational innovations philosophies being introduced by some field experts that changed the direction of the documentary filmmaking practice and bestowed certain new ideologies and theoretical foundations to the documentary cinema (Tsivian, 2004).

The entire discussion aims to reveal the relation between art and politics as depicted by Vertov in the movie. It is found that “Man with the movie camera” is an outstanding effort that illustrates the practicability and scope of staging political thoughts in an art form.

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The modern-day documentary clearly reflects the developments occurred in the field of audio-visual and other related technologies. However, rendering the essence of innovation and inducing technology to enhance documentary presentation is not a new conception for the documentary cinema. The idea of developing and using innovative techniques and technology to enhance the documentary film making began several decades ago and it is widely believed that Dziga Vertov took the first step towards the effort of bringing innovation in the making of documentary films through the development of Kino-Eye experiment (Cook, 2007). He made significant contributions towards bringing technological advancements in the field of documentary cinema.

The experiments conducted by Vertov provide indispensable guidelines that were widely followed by the filmmakers of that epoch. Moreover, the theories divulged by Vertov also worked for building the conceptual work to revolutionize the documentary cinema

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